Each piece takes weeks or months to make, first through unique digital algorithms and then by hand, and is crafted from classic, contemporary, and recycled materials.
The name Singularis means “unique” in Latin, a reminder that these pieces are one‑of‑a‑kind and rooted in human attention. Each piece is a physical sculpture of light, texture, depth, and presence. The series traces its roots in the "African Bricks" projects, a body of work deeply inspired by the vibrant geometry, rich color palettes, and symbolic patterns.
During the 2021 quarantine, an initial experimental piece explored how elements could be translated into a more tactile, sculptural format. That first test revealed something powerful: a new way to merge digital mosaic sensibility within dimensional physical artwork. The works also signal a transformative moment in mosaic art, a shift toward hybrid methodologies that weave together machine learning, computer vision, and handcrafted labor. In doing so, Tsevis and Konstanta offer a glimpse into the future of artistic creation: a space where tradition meets innovation, where mathematics embraces emotion, and where art speaks with both the precision of science and the warmth of the human hand.
This handcrafted portrait blazes with confidence, layered in vivid reds, glowing oranges, and deep blacks. The patterns interlock with precision, forming a mosaic that feels alive with rhythm, emotion, and strength.
It’s an artwork that doesn’t just speak, it burns.
It’s an artwork that doesn’t just speak, it burns.
Digital Dreams in Analog Form.
Unique art pieces.
Unique art pieces.
I have been working with digital media for over 20 years. It is the most democratic and timeless medium I can imagine. Digital files can be perfectly reproduced in infinite copies, and as long as they are based on maintained standards, they can live forever. Some might even say that digital media is the perfect medium. Maybe...
What is certain is that digital technology allows us to store our ideas in code and send them into eternity. They allow us to share them with the world by removing borders and restrictions.
What is certain is that digital technology allows us to store our ideas in code and send them into eternity. They allow us to share them with the world by removing borders and restrictions.
However, what if we desire a more biological approach to art?
What if we want to create artworks that reflect the imperfections and limitations of the physical world?
What if we want to create artworks that reflect the imperfections and limitations of the physical world?
Over the years, I have been reflecting on the contrast between analog and digital, the finite and the eternal, the perishable and the imperishable, and the tangible and the intangible. While I could have continued creating digital work, I wanted to find a way to give my creations a more organic life. In recent years, I have discovered a way to achieve this.
Although my background is that of a visual designer working in the industry, creating applications for a specific use, I have received more and more requests from clients to move into the field of fine arts. Two critical factors have contributed to this shift. The first is my wife, Vira. The second is the market through intermediate steps, such as decorative or architectural uses of my images, or through projects with a more accessible service and destination without time limits, target groups, and marketing objectives.
I have been fortunate to create massive murals for Delta Airlines at San Francisco and Seattle International Airports. I had the honor of designing the House of USA murals for the Rio Olympics in 2016. I have also been approached to create portraits for influential business leaders such as Softbank or Church & Dwight. I have had the opportunity to create art pieces that symbolize high-fashion collections or adorn leisure, dining, tourism, and cruise spaces. And, of course, I have seen my work being accepted in Lumas galleries, museums, stadiums, and private collections. In most cases, the transition from digital to analog was minimal, involving prints, special processing techniques, and ways of transferring the digital work from the screen to the physical medium.
Vira brings a unique set of skills. Despite being younger than me, she has a more analog background, having received a comprehensive education in classical arts such as music, painting, and florist design. Her passion for the third dimension, including paper sculpture and construction, has been instrumental in our efforts to bring some of my works to life in the material world. So if I'm the software in our home, Vira is the hardware. Our diverse techniques center on giving our work new life, exploring texture, light, depth, shadow, convexity, and relief.
We've named our effort "singularis." In an era where singularity is often associated with artificial intelligence and automated creation, we are excited to experiment with the perishable yet tangible.
Our projects require weeks to months of meticulous yet gratifying work. Our home is brimming with papers, materials, inks, paints, threads, and glues. With good music and love, we crafted some of the projects we proudly present to you. Unfortunately, they cannot be owned by everyone, unlike digital works. The analog medium is less democratic and accessible, but it will endure beyond a digital file. We strive to imbue it with the same passion with which it was born, both in its intangible conception and transition to the physical world.
Our projects require weeks to months of meticulous yet gratifying work. Our home is brimming with papers, materials, inks, paints, threads, and glues. With good music and love, we crafted some of the projects we proudly present to you. Unfortunately, they cannot be owned by everyone, unlike digital works. The analog medium is less democratic and accessible, but it will endure beyond a digital file. We strive to imbue it with the same passion with which it was born, both in its intangible conception and transition to the physical world.
Charis Tsevis
Bringing digital mosaics to life
The creative process of bringing the digital mosaic to life in the physical realm was intricate and demanding. The digital mosaic technique was thoroughly analyzed, and the process was deconstructed into multiple layers. Subsequently, each layer was printed using a state-of-the-art 12-color giclée printer on 300-gram Hahnemühle paper.
Every element was cut manually, carefully mounted, then sculpted and painted. We used various materials. There is texture, light, and depth. A combination of relief paints that rise from the surface, metallic acrylics that catch and reflect light, and shimmering watercolors for soft luminosity. The manual manipulation of the paper imbues the artwork with a three-dimensional quality, emphasizing each piece's layers and depth.
We carefully considered the interplay of light and shadow in each piece, using different angles and levels to create depth and interest. We experimented with different finishes and varnishes to find the perfect balance between shine and subtlety. We added a gold plate to certain elements, creating another layer of richness and complexity.
Every element was cut manually, carefully mounted, then sculpted and painted. We used various materials. There is texture, light, and depth. A combination of relief paints that rise from the surface, metallic acrylics that catch and reflect light, and shimmering watercolors for soft luminosity. The manual manipulation of the paper imbues the artwork with a three-dimensional quality, emphasizing each piece's layers and depth.
We carefully considered the interplay of light and shadow in each piece, using different angles and levels to create depth and interest. We experimented with different finishes and varnishes to find the perfect balance between shine and subtlety. We added a gold plate to certain elements, creating another layer of richness and complexity.
The artwork features vibrant colors and textures, with intricate details that draw the viewer in and invite exploration of every corner of the design. The mixed media approach allows for a stunning variety of materials that blend to create a rich, multi-dimensional effect.
Today, Charis and I continue to create our singular mosaics, using our combined skills and creativity to push the boundaries of what is possible. Each piece we create is a testament to the power of collaboration and the beauty of traditional art forms.
The resulting artwork is visually striking and intellectually stimulating, encouraging viewers to reflect on the intricate relationship between traditional and modern art techniques.
Vira Konstanta
This intricate mosaic captures a moment of pure connection between earth and sky, memory and spirit. Sunlit ochres and fresh emerald tones surround a smiling face. A celebration of lightness, presence, and the quiet divinity of the everyday.
Every fragment is placed by hand, forming a tactile portrait that radiates music, memory, and defiance. Wrapped in deep earth tones, tribal geometries, and thread-like braids, this piece pulses with energy, both ancient and electric.
A luminous silhouette emerges from the shadows, where bold colors dance across the contours of the female body. The black of the background creates contrast and depth, allowing the figure to glow from within. This is not just a celebration of form, but of freedom, bold, unapologetic, and unforgettable.
Recognition & Commissions
The Singularis project has captured attention in ceremonial and public spaces. We’ve been entrusted with creating a gift for the King and Prince of Bahrain, a corporate mosaic artwork for the entrance hall of a major company. The series has also been selected as an official gift to a government representative in Cyprus, etc.
As the project continues to grow, it remains rooted in the same spirit of experimentation, digital science, cultural dialogue, and material storytelling.
For more videos, process insights, and new works in progress, follow the Singularis journey on TikTok
Deep inside your borders
Wild cats
Witness
Someone Loves You
Cherish
Silence
Some details:
© 2020-2025
We want to extend our sincerest gratitude to several individuals who were instrumental in the success of this project.
First and foremost, we thank Tsiapas Photography for its high-quality photography and prints that captured the true essence of the artwork, allowing us to showcase it in the best possible light.
First and foremost, we thank Tsiapas Photography for its high-quality photography and prints that captured the true essence of the artwork, allowing us to showcase it in the best possible light.
We would also like to thank Giannis Delivasilis, Quality, and Fotokinisi for their valuable suggestions and assistance throughout the project. Whose contributions were crucial to the project's completion.
Special Thanks to my friend Alex Mandidakis for the music he wrote for our video.
Thank you.
Special Thanks to my friend Alex Mandidakis for the music he wrote for our video.
Thank you.